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Hand-painted in oil

Equestrian Portrait of Philip IV

Horse and Rider · The Equestrian Portrait

by Diego Velazquez

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Hand-painted oil painting · 27 × 27 in$480
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Hand-painted in oil

About this Artwork

A state portrait in which the horse does the lifting

The equestrian state portrait exists for one reason before any other: it raises a man above the eye level of everyone looking at him. The sitter does not have to do anything. The animal supplies the height, the bulk and the implied control, and the rider's part is to appear untroubled by all three. This is one of those pictures. The title names Philip IV, the record files it under male portraiture and under Animal Art > Horse, and no hunt, battle or piece of work is attached to it. The horse is here as an instrument of rank.

What the record holds

The catalogue gives 1635 as the date of creation and the Museo del Prado in Madrid as the location. The dimensions are 314 x 301 cm, which puts it among the largest works in this register and close to square: a canvas made for a wall built around it rather than for a cabinet. Baroque is the recorded style, Spanish the nationality, and the measured colour family of the image is blue.

What a pose like this is evidence of

Court equestrian portraiture drew on a fixed repertoire of poses, taken from riding manuals and from antique bronzes, and a painter chose from that repertoire rather than from an afternoon's observation. What such a picture reliably records is the claim being made about the sitter. It is not evidence of how any particular animal moved.

Sources

7 references